It’s not exclusive to ‘Tomio: Red Turtleneck’, but particularly affects that story as the characters look more like young teens than adults living together. Ito’s art is very western influenced, lacking most of the visual shorthand associated with Manga, but there is a problem. It’s creepy and it’s well drawn, and the wraparound cover homage is great, encompassing elements from every tale within. They have a point, but approach it from the other side, however, knowing nothing about Tomoe, and what you have is a memorable selection of squirmy tales covering several forms of horror. It doesn’t take a great deal of search time online to discover those who were disappointed with Junji Ito’s return to shorter horror stories from lengthier serialised material.
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