Without giving too much away, he creates a situation where all humans are helplessly screwed by the galacto-spiritual system, but then he manages to still blame them for being ignorant and desperate. It's almost as if he's so incapable of comprehending the thoughts and actions of others that he can't write believable characters unless they think and act just like him.Īctually, in this case, there are a few more layers of complexity, but they serve to undermine Lewis' overall message, so I'm not putting that in the 'win column' for the old boy. Once again Lewis shows that the only villain he's capable of creating is one who is stupidly comical and malicious, undermining the whole conflict. The further along, the more ponderous it got, until our 'climax', which was an extended conversation about the myriad flaws of man. Instead of jumping from action to action, nakedly slaying naked green giants with space-swords, we wander around mostly in the main character's head as he ponders things. Of course, Lewis' take was much more plodding. It immediately reminded me of Burrough's John Carter books, an influential series of planetary adventures about a man marooned on an alien world. Thus I was pleasantly surprised by the opening of this book, which looked to be a more mature adventure with a more-or-less neutral narration. Of course, he's not taken seriously by Biblical scholars or theologians-I suspect this is because his Jesus is a cartoon lion and his God is a space alien.Īs Michael Moorcock pointed out, the prominent tone in both Tolkien and Lewis is condescension, and I admit my general impression of Lewis is that he's talking down to the audience in a sing-song voice as if we're disturbing his perusal of the morning paper.
It is strange to me how often Lewis is mentioned as a leading Christian apologist, since his views on Christianity tend to be neither conventional nor well-constructed.
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